back to home page

Etty Ben-Zaken: Novels

"What's Written Above" (2004, Sifriyat Poalim)
(The title in Hebrew: "Ma Shekatuv Lemala")
"A spectacular novel... A rare story-telling abundance... One of the most beautiful Israeli novels of 2004." (Israel's daily "Yedi'ot Aharonot")

 

 

 


"What's Written Above" juggles between numerous events and a colorful richness of human stories. It is told by more than twenty heroes, interweaving folktales, legends and Romancas. The novel travels through continents and centuries, as if trying to follow the complicated ways of fate, the hidden Angel's map written above.

In the first part of the novel, Michael Frankfurter tells Na'ama Kaballero all that had happened to him until the day she showed up in his apartment. His injury in the Yom Kippur war, his journeys abroad as well as in his inner world, his love to his wife Anna, his tragedy, are mixedd with his family's stories, from medieval Frankfurt, through Berlin, to contemporary Jerusalem.

In the second part of the novel, Na'ama Kaballero writes to an addressee who's identity is revealed only later. The story of her love to Michael, which shocks her proud, traditional family, is echoed by her family's stories from the past, from Spain and Portugal before the Jews' expulsion (15th century), through Morocco and Turkey, to today's Israeli suburb of Bat-Yam.
Cover art: Etty Ben-Zaken


"The Empress Card" (1998, Sifriyat Poalim)
(The title in Hebrew: "Klaf Ha'keysarit")
"A unique, special novel... Ben-Zaken conveys emotions in an intense, powerful way"
(Israel's daily, "Yedi'ot Aharonot")








Etty Ben-Zaken's first novel, "The Empress Card," brings together three women from different times and cultures: Gil, a contemporary young musician, who writes from San Francisco to her female lover who has left her for another woman; Guljan, a Muslim Turkish singer from the 13th century, who is taken to Mongolia by her Tartar master; and Joya, an old Sephardic Israeli woman, who recalls her childhood in Turkey of the early 20th century, and prays to see her granddaughter, Gil, married. The stories intermingle to create a colorful picture of womanhood, fertility and creation - the picture depicted on the Empress Card.
Cover art: Etty Ben-Zaken